Signature ideas

Six signature directions for Amaya

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital A · hover one to see it in use

Understated · flowing · fully readable

Everything rounds, nothing is cornered.

the full name · underlined in one return stroke

A level and spare hand. The capital is only 2.0 times the height of the letters after it. The "y" in "Amaya" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

Pressure where it presses, hairline where it lifts.

both names in one unbroken line · underlined in one return stroke

A compact and urgent hand. It stays 2.9 times wider than tall, where most signatures sprawl. It is the rare one that runs both names together as one word.

Commanding · sharp · signature-legible

Written at speed, and it shows in the best way.

the full name · a swept capital · finished on a long sail

An urgent and grand hand. It leans 24 degrees off vertical. Almost nothing else here runs a long swept approach into the A.

Confident · sharp · fully readable

Generous with its loops, and unembarrassed about it.

the full name · finished on a long sail

A theatrical and angular hand. One letter is pushed well past the proportions of its neighbors.

Understated · sharp · signature-legible

One movement, barely interrupted, which is why it repeats.

the full name · finished on a long sail

A level and compact hand. The capital is only 2.0 times the height of the letters after it.

Commanding · flowing · fully readable

It gives itself room, and reads as unhurried because of it.

the full name · underlined in one return stroke

A restrained and deliberate hand. No single letter is pushed past its neighbors.

What Amaya gives a designer

Everything starts with the A. The studio holds 2 distinct constructions of that capital — drawn from how professionals actually open a name — and each direction below commits to one of them.

What follows the capital decides the middle of the mark: the y drops below the baseline — a tail a designer can turn into an underline or let hang.

5 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names