Signature ideas

Six signature directions for Aubrey

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital A · hover one to see it in use

Understated · flowing · fully readable

Nothing curls that does not have to, and nothing is missing.

the full name · a swept capital · underlined in one return stroke

An airy and measured hand. The letters are set well apart. The "r" in "Aubrey" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

One movement, barely interrupted, which is why it repeats.

the full name · a swept capital · closed with a small loop

An urgent and dramatic hand. It leans 25 degrees off vertical. It is the rare one that ties off with a small loop instead of flying away.

Commanding · sharp · signature-legible

One weight the whole way through, which is what makes it read as modern.

the full name · a swept capital · underlined in one return stroke

A rounded and compact hand. Every turn is rounded off.

Confident · sharp · fully readable

One letter does the performing, and the others hold still for it.

the full name · underlined in one return stroke

An upright and rounded hand. It stands almost straight up, 18 degrees off vertical.

Understated · sharp · signature-legible

Written at speed, and it shows in the best way.

the full name · a swept capital · finished on a long sail

A level and long-running hand. The capital is only 1.8 times the height of the letters after it. It is the rare one that leaves on an exit stroke long enough to carry the eye off the page.

Commanding · flowing · fully readable

The capital dominates, and the rest of the name follows quietly.

the full name · a swept capital · underlined in one return stroke

An angular and generous hand. The turns are cut rather than curved.

What Aubrey gives a designer

The capital A carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

The rest of the name sets the terrain: the b reaches into the ascender line, which gives the mark its upper silhouette and the y drops below the baseline — a tail a designer can turn into an underline or let hang.

6 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names