Signature ideas

Six signature directions for Christine

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital C · hover one to see it in use

Understated · flowing · fully readable

Long and low, it takes the whole width of the line.

the full name · underlined in one return stroke

A dense and spare hand. The letters are packed close together. The "r" in "Christine" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

Tightly massed, so it holds together small.

the full name · a swept capital · underlined in one return stroke

An angular and unbroken hand. The turns are cut rather than curved.

Commanding · sharp · signature-legible

Pressure where it presses, hairline where it lifts.

the full name · finished on a long sail

A grand and theatrical hand. The capital stands 3.6 times the height of the letters after it. Almost nothing else here leaves on an exit stroke long enough to carry the eye off the page.

Confident · sharp · fully readable

Upright and composed, it never looks rushed.

the full name · a swept capital · underlined in one return stroke

A deliberate and generous hand. It is built in 17 separate strokes.

Understated · sharp · signature-legible

It leans into the page, the way a hand in a hurry does.

the full name · underlined in one return stroke

A rounded and level hand. Every turn is rounded off.

Commanding · flowing · fully readable

Written at speed, and it shows in the best way.

the full name · a swept capital · closed with a small loop

A grand and restrained hand. The capital stands 3.5 times the height of the letters after it. Almost nothing else here ties off with a small loop instead of flying away.

What Christine gives a designer

The capital C carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

The rest of the name sets the terrain: the h and t reach into the ascender line, which gives the mark its upper silhouette and the dotted i leaves a mark above the line that a fast hand turns into a flick.

Christine gives a hand 9 letters to carry. The professional answer is not to slow down but to decide early which letters are load-bearing.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names