Signature ideas

Six signature directions for Cortney

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital C · hover one to see it in use

Understated · flowing · fully readable

Compact, with its weight gathered in one place.

the full name · underlined in one return stroke

A dense and angular hand. The letters are packed close together. The "r" in "Cortney" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

Written at speed, and it shows in the best way.

the full name · a swept capital · closed with a small loop

An angular and unbroken hand. The turns are cut rather than curved. It is the rare one that runs a long swept approach into the C.

Commanding · sharp · signature-legible

It gives itself room, and reads as unhurried because of it.

the full name · underlined in one return stroke

A grand and unbroken hand. The capital stands 3.3 times the height of the letters after it.

Confident · sharp · fully readable

Pressure where it presses, hairline where it lifts.

the full name · finished on a long sail

A theatrical and generous hand. One letter is pushed well past the proportions of its neighbors. It is also one of the few here that leaves on an exit stroke long enough to carry the eye off the page.

Understated · sharp · signature-legible

Long and low, it takes the whole width of the line.

the full name

A theatrical and level hand. One letter is pushed well past the proportions of its neighbors. It is the rare one that adds no closing gesture at all.

Commanding · flowing · fully readable

The capital dominates, and the rest of the name follows quietly.

the full name · underlined in one return stroke

An upright and deliberate hand. It stands almost straight up, 18 degrees off vertical.

What Cortney gives a designer

Everything starts with the C. The studio holds 2 distinct constructions of that capital — drawn from how professionals actually open a name — and each direction below commits to one of them.

After that, the lowercase run does the work: the t reaches into the ascender line, which gives the mark its upper silhouette and the y drops below the baseline — a tail a designer can turn into an underline or let hang.

7 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names