Signature ideas

Six signature directions for Emery

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital E

Understated · flowing · fully readable

Long and low, it takes the whole width of the line.

a swept capital · finished below the line

An unbroken and level hand. Only 5 pen lifts in the whole thing. It is also one of the few here that runs a long swept approach into the E. The line underneath is your own "y" in "Emery", carried further — nothing was added to make it.

Confident · flowing · signature-legible

Written at speed, and it shows in the best way.

a capital on its own shelf · closed with a small loop

A dramatic and compact hand. The stroke swells and thins by a factor of 3.9. It is the rare one that stands the name on the E's own foot. The "r" in "Emery" is the letter carrying it, because that is where your hand is already fastest.

Commanding · sharp · signature-legible

The capital dominates, and the rest of the name follows quietly.

a capital thrown inside a loop · finished on a long sail

A dense and rounded hand. The letters are packed close together. Almost nothing else here throws a flat loop right around the E.

Confident · sharp · fully readable

Generous with its loops, and unembarrassed about it.

a capital on its own shelf · finished on a long sail

An urgent and compact hand. It leans 32 degrees off vertical. It is also one of the few here that stands the name on the E's own foot.

Understated · sharp · signature-legible

Drawn in stages, the way a considered mark is.

finished below the line

A theatrical and upright hand. One letter is pushed well past the proportions of its neighbors.

Commanding · flowing · fully readable

It turns corners instead of rounding them, and that is the whole temperament.

finished below the line

A restrained and airy hand. No single letter is pushed past its neighbors.

What Emery gives a designer

The capital E carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

The rest of the name sets the terrain: the y drops below the baseline — a tail a designer can turn into an underline or let hang.

At 5 letters, Emery sits in the comfortable middle — long enough to build rhythm, short enough to stay one uninterrupted gesture.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names