Signature ideas

Six signature directions for Ernest

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital E · hover one to see it in use

Understated · flowing · fully readable

Long and low, it takes the whole width of the line.

the full name · finished on a long sail

An upright and spare hand. It stands almost straight up, 23 degrees off vertical. The "s" in "Ernest" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

Written at speed, and it shows in the best way.

both names in one unbroken line · a capital on its own shelf · closed with a small loop

A dramatic and urgent hand. The stroke swells and thins by a factor of 3.8. It is the rare one that runs both names together as one word.

Commanding · sharp · signature-legible

Compact, with its weight gathered in one place.

the full name · a capital on its own shelf · finished on a long sail

A generous and dense hand. It spends 23 loops getting through your name.

Confident · sharp · fully readable

Everything rounds, nothing is cornered.

the full name · a capital on its own shelf · finished on a long sail

A deliberate and airy hand. It is built in 13 separate strokes.

Understated · sharp · signature-legible

One movement, barely interrupted, which is why it repeats.

the full name · a swept capital · finished on a long sail

A theatrical and angular hand. One letter is pushed well past the proportions of its neighbors. It is the rare one that runs a long swept approach into the E.

Commanding · flowing · fully readable

The capital dominates, and the rest of the name follows quietly.

the full name · a swept capital · finished on a long sail

A dense and generous hand. The letters are packed close together. Almost nothing else here runs a long swept approach into the E.

What Ernest gives a designer

The capital E carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

After that, the lowercase run does the work: the t reaches into the ascender line, which gives the mark its upper silhouette.

6 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names