Signature ideas

Six signature directions for Jon

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital J · hover one to see it in use

Understated · flowing · fully readable

Long and low, it takes the whole width of the line.

the full name · a swept capital · underlined in one return stroke

An upright and angular hand. It stands almost straight up, 19 degrees off vertical. It is also one of the few here that runs a long swept approach into the J. The "r" in "Worth" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

Nothing curls that does not have to, and nothing is missing.

the full name · a capital on its own shelf · closed with a small loop

An urgent and restrained hand. It leans 25 degrees off vertical.

Commanding · sharp · signature-legible

One letter does the performing, and the others hold still for it.

the full name · closed with a small loop

A generous and airy hand. It spends 29 loops getting through your name. Almost nothing else here takes the J's tail underneath the name and back.

Confident · sharp · fully readable

Tightly massed, so it holds together small.

the full name · a capital on its own shelf · closed with a small loop

An even and deliberate hand. It holds one weight almost the whole way through.

Understated · sharp · signature-legible

The capital keeps its place, which puts the emphasis on the whole name.

the full name · a capital on its own shelf · finished on a long sail

A quick and angular hand. The line carries the momentum of a hand that never slowed down. It is the rare one that leaves on an exit stroke long enough to carry the eye off the page.

Commanding · flowing · fully readable

Pressure where it presses, hairline where it lifts.

the full name · closed with a small loop

A grand and deliberate hand. The capital stands 2.7 times the height of the letters after it. Almost nothing else here takes the J's tail underneath the name and back.

What Jon gives a designer

The capital J carries the mark. There are 3 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

After the capital, Jon runs entirely at x-height — no ascenders, no tails — so the whole middle of the mark is a single calm band, and the capital and the closing gesture do all the talking.

Jon is a compact name. Nothing needs abbreviating; the six directions below spend their effort on character instead.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names