Signature ideas
Six signature directions for Katrina
Each one is a genuine drawing of the name — not a font — made by the same
studio that draws the paid commission, with the design decisions stated under it.
Drawn from the name · 6 directions · capital K · hover one to see it in use
Understated · flowing · fully readable
Generous with its loops, and unembarrassed about it.
the full name · underlined in one return stroke
An upright and level hand. It stands almost straight up, 20 degrees off vertical. The "r" in "Katrina" is the letter carrying it, because that is where your hand is already fastest.
Confident · flowing · signature-legible
Written at speed, and it shows in the best way.
both names in one unbroken line · finished on a long sail
A dense and dramatic hand. The letters are packed close together. It is the rare one that runs both names together as one word.
Commanding · sharp · signature-legible
The capital dominates, and the rest of the name follows quietly.
the full name · underlined in one return stroke
An urgent and long-running hand. It leans 24 degrees off vertical.
Confident · sharp · fully readable
One letter does the performing, and the others hold still for it.
the full name · closed with a small loop
An even and measured hand. It holds one weight almost the whole way through. It is also one of the few here that ties off with a small loop instead of flying away.
Understated · sharp · signature-legible
One movement, barely interrupted, which is why it repeats.
the full name · underlined in one return stroke
A spare and rounded hand. Only 7 loops in the whole mark.
Commanding · flowing · fully readable
One weight the whole way through, which is what makes it read as modern.
the full name · a swept capital · underlined in one return stroke
A long-running and urgent hand. It runs 5.0 times wider than it is tall. Almost nothing else here runs a long swept approach into the K.
What Katrina gives a designer
A signature is won or lost at its opening letter. For K, the studio draws from 1 construction observed in professional hands, and every direction below chooses one and holds it.
What follows the capital decides the middle of the mark: the t reaches into the ascender line, which gives the mark its upper silhouette and the dotted i leaves a mark above the line that a fast hand turns into a flick.
At 7 letters, Katrina sits in the comfortable middle — long enough to build rhythm, short enough to stay one uninterrupted gesture.
Making it yours
These studies are drawn on the first name alone, because that is how the question is
usually asked — but a working signature is built on your full name: the second capital,
the balance between the two words, and the short everyday version are where the real
design decisions live.
The studio draws twenty directions for your full name in about a minute, and the kit —
the files, the report that explains the design, and the stroke-order lesson — is what
the three you choose become.