Signature ideas
Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.
Understated · flowing · fully readable
the full name · underlined in one return stroke
A compact and restrained hand. It stays 3.0 times wider than tall, where most signatures sprawl. It is also one of the few here that hangs the name off the R as a stem. The "g" in "Rigoberto" is the letter carrying it, because that is where your hand is already fastest.
Confident · flowing · signature-legible
the full name · closed with a small loop
An unbroken and spare hand. Only 7 pen lifts in the whole thing. It is the rare one that hangs the name off the R as a stem.
Commanding · sharp · signature-legible
the full name · underlined in one return stroke
A grand and dense hand. The capital stands 2.7 times the height of the letters after it.
Confident · sharp · fully readable
the full name · a swept capital · underlined in one return stroke
An even and rounded hand. It holds one weight almost the whole way through. It is also one of the few here that runs a long swept approach into the R.
Understated · sharp · signature-legible
the full name · finished on a long sail
An urgent and level hand. It leans 26 degrees off vertical. It is the rare one that leaves on an exit stroke long enough to carry the eye off the page.
Commanding · flowing · fully readable
the full name · underlined in one return stroke
A grand and measured hand. The capital stands 2.9 times the height of the letters after it.
The capital R carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.
The rest of the name sets the terrain: the b and t reach into the ascender line, which gives the mark its upper silhouette, the g drops below the baseline — a tail a designer can turn into an underline or let hang and the dotted i leaves a mark above the line that a fast hand turns into a flick.
A 9-letter name rewards economy: the directions below keep the capital and the final stroke emphatic and let the middle travel.
These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.
The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.