Signature ideas

Six signature directions for Stefanie

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital S · hover one to see it in use

Understated · flowing · fully readable

It turns corners instead of rounding them, and that is the whole temperament.

the full name · finished on a long sail

An even and generous hand. It holds one weight almost the whole way through. It is also one of the few here that leaves on an exit stroke long enough to carry the eye off the page. The "f" in "Stefanie" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

Compact, with its weight gathered in one place.

the full name · closed with a small loop

An urgent and restrained hand. It leans 30 degrees off vertical. It is the rare one that ties off with a small loop instead of flying away.

Commanding · sharp · signature-legible

Written at speed, and it shows in the best way.

the full name · a swept capital · closed with a small loop

A grand and dense hand. The capital stands 3.3 times the height of the letters after it. Almost nothing else here runs a long swept approach into the S.

Confident · sharp · fully readable

One letter does the performing, and the others hold still for it.

the full name · a swept capital · underlined in one return stroke

A generous and deliberate hand. It spends 19 loops getting through your name. It is also one of the few here that runs a long swept approach into the S.

Understated · sharp · signature-legible

The capital keeps its place, which puts the emphasis on the whole name.

the full name · finished on a long sail

A dramatic and spare hand. The stroke swells and thins by a factor of 2.8. It is the rare one that leaves on an exit stroke long enough to carry the eye off the page.

Commanding · flowing · fully readable

Drawn in stages, the way a considered mark is.

the full name · a capital that drops below the line · underlined in one return stroke

An upright and spare hand. It stands almost straight up, 19 degrees off vertical. Almost nothing else here drops the S's tail below the line to weigh it down.

What Stefanie gives a designer

The capital S carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

The rest of the name sets the terrain: the t and f reach into the ascender line, which gives the mark its upper silhouette and the dotted i leaves a mark above the line that a fast hand turns into a flick.

A 8-letter name rewards economy: the directions below keep the capital and the final stroke emphatic and let the middle travel.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names