Signature ideas

Six signature directions for Susan

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital S

Understated · flowing · fully readable

It turns corners instead of rounding them, and that is the whole temperament.

a capital thrown inside a loop · finished on a long sail

A deliberate and dense hand. It is built in 6 separate strokes. It is also one of the few here that throws a flat loop right around the S. The "s" in "Susan" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

One movement, barely interrupted, which is why it repeats.

a swept capital · finished on a long sail

A level and restrained hand. The capital is only 2.0 times the height of the letters after it.

Commanding · sharp · signature-legible

Written at speed, and it shows in the best way.

a swept capital · finished on a long sail

A theatrical and dramatic hand. One letter is pushed well past the proportions of its neighbors.

Confident · sharp · fully readable

Compact, with its weight gathered in one place.

a swept capital · underlined in one return stroke

An even and deliberate hand. It holds one weight almost the whole way through. It is also one of the few here that lays a line back underneath the name.

Understated · sharp · signature-legible

Upright and composed, it never looks rushed.

a swept capital · finished on a long sail

A long-running and spare hand. It runs 3.1 times wider than it is tall.

Commanding · flowing · fully readable

The capital dominates, and the rest of the name follows quietly.

underlined in one return stroke

A generous and angular hand. It spends 15 loops getting through your name. Almost nothing else here lays a line back underneath the name.

What Susan gives a designer

Everything starts with the S. The studio holds 2 distinct constructions of that capital — drawn from how professionals actually open a name — and each direction below commits to one of them.

After the capital, Susan runs entirely at x-height — no ascenders, no tails — so the whole middle of the mark is a single calm band, and the capital and the closing gesture do all the talking.

Susan is 5 letters: room for a real rhythm without the fatigue of a long run.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names