Signature ideas

Six signature directions for Tina

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital T · hover one to see it in use

Understated · flowing · fully readable

It turns corners instead of rounding them, and that is the whole temperament.

the full name · a capital on its own shelf · finished on a long sail

A dramatic and dense hand. The stroke swells and thins by a factor of 3.0. The "r" in "Worth" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

It leans into the page, the way a hand in a hurry does.

the full name · a capital on its own shelf · finished on a long sail

A spare and even hand. Only 6 loops in the whole mark.

Commanding · sharp · signature-legible

The capital dominates, and the rest of the name follows quietly.

the full name · closed with a small loop

A generous and measured hand. It spends 26 loops getting through your name. Almost nothing else here ties off with a small loop instead of flying away.

Confident · sharp · fully readable

Compact, with its weight gathered in one place.

the full name · a capital on its own shelf · closed with a small loop

An upright and theatrical hand. It stands almost straight up, 20 degrees off vertical. It is also one of the few here that ties off with a small loop instead of flying away.

Understated · sharp · signature-legible

One movement, barely interrupted, which is why it repeats.

the full name · finished on a long sail

A long-running and measured hand. It runs 4.7 times wider than it is tall.

Commanding · flowing · fully readable

It gives itself room, and reads as unhurried because of it.

the full name · a capital on its own shelf · finished on a long sail

A deliberate and restrained hand. It is built in 11 separate strokes.

What Tina gives a designer

Everything starts with the T. The studio holds 2 distinct constructions of that capital — drawn from how professionals actually open a name — and each direction below commits to one of them.

After that, the lowercase run does the work: the dotted i leaves a mark above the line that a fast hand turns into a flick.

Tina is a compact name. Nothing needs abbreviating; the six directions below spend their effort on character instead.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names