Signature ideas

Six signature directions for Adeline

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital A

Understated · flowing · fully readable

No letter shouts over another, which is rarer than it sounds.

a capital thrown inside a loop

An angular and dense hand. The turns are cut rather than curved. It is also one of the few here that throws a flat loop right around the A.

Confident · flowing · signature-legible

Long and low, it takes the whole width of the line.

a swept capital · finished on a long sail

An unbroken and even hand. Only 3 pen lifts in the whole thing. It is the rare one that runs a long swept approach into the A.

Commanding · sharp · signature-legible

It leans into the page, the way a hand in a hurry does.

a capital that cradles the name · finished on a long sail

A compact and airy hand. It stays 1.1 times wider than tall, where most signatures sprawl. Almost nothing else here sits the whole name inside the A.

Confident · sharp · fully readable

Written at speed, and it shows in the best way.

finished on a long sail

An upright and long-running hand. It stands almost straight up, 22 degrees off vertical.

Understated · sharp · signature-legible

Pressure where it presses, hairline where it lifts.

underlined in one return stroke

A theatrical and rounded hand. One letter is pushed well past the proportions of its neighbors. It is the rare one that lays a line back underneath the name.

Commanding · flowing · fully readable

Generous with its loops, and unembarrassed about it.

a swept capital · underlined in one return stroke

A deliberate and grand hand. It is built in 10 separate strokes. Almost nothing else here runs a long swept approach into the A.

What Adeline gives a designer

The capital A carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

What follows the capital decides the middle of the mark: the d and l reach into the ascender line, which gives the mark its upper silhouette and the dotted i leaves a mark above the line that a fast hand turns into a flick.

Adeline is 7 letters: room for a real rhythm without the fatigue of a long run.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names