Signature ideas

Six signature directions for Antonia

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital A · hover one to see it in use

Understated · flowing · fully readable

Long and low, it takes the whole width of the line.

the full name · finished on a long sail

A dense and restrained hand. The letters are packed close together.

Confident · flowing · signature-legible

Pressure where it presses, hairline where it lifts.

the full name · underlined in one return stroke

A rounded and unbroken hand. Every turn is rounded off. It is the rare one that lays a line back underneath the name. The "r" in "Worth" is the letter carrying it, because that is where your hand is already fastest.

Commanding · sharp · signature-legible

Written at speed, and it shows in the best way.

both names in one unbroken line · finished on a long sail

An urgent and even hand. It leans 26 degrees off vertical. Almost nothing else here runs both names together as one word.

Confident · sharp · fully readable

Drawn in stages, the way a considered mark is.

the full name · underlined in one return stroke

An upright and generous hand. It stands almost straight up, 20 degrees off vertical. It is also one of the few here that lays a line back underneath the name.

Understated · sharp · signature-legible

Everything rounds, nothing is cornered.

the full name · a swept capital · finished on a long sail

A level and unbroken hand. The capital is only 2.0 times the height of the letters after it. It is the rare one that runs a long swept approach into the A.

Commanding · flowing · fully readable

Generous with its loops, and unembarrassed about it.

the full name · finished on a long sail

A grand and angular hand. The capital stands 3.2 times the height of the letters after it.

What Antonia gives a designer

The capital A carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

What follows the capital decides the middle of the mark: the t reaches into the ascender line, which gives the mark its upper silhouette and the dotted i leaves a mark above the line that a fast hand turns into a flick.

7 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names