Signature ideas

Six signature directions for Irene

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital I · hover one to see it in use

Understated · flowing · fully readable

The capital keeps its place, which puts the emphasis on the whole name.

the full name · a swept capital · underlined in one return stroke

A restrained and spare hand. No single letter is pushed past its neighbors. It is also one of the few here that runs a long swept approach into the I. The "r" in "Worth" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

It turns corners instead of rounding them, and that is the whole temperament.

the full name · finished on a long sail

An even and unbroken hand. It holds one weight almost the whole way through.

Commanding · sharp · signature-legible

Written at speed, and it shows in the best way.

the full name · closed with a small loop

A theatrical and spare hand. One letter is pushed well past the proportions of its neighbors. Almost nothing else here ties off with a small loop instead of flying away.

Confident · sharp · fully readable

Compact, with its weight gathered in one place.

the full name · finished on a long sail

An upright and deliberate hand. It stands almost straight up, 20 degrees off vertical.

Understated · sharp · signature-legible

Pressure where it presses, hairline where it lifts.

the full name · finished on a long sail

An urgent and unbroken hand. It leans 28 degrees off vertical.

Commanding · flowing · fully readable

It gives itself room, and reads as unhurried because of it.

the full name · underlined in one return stroke

A grand and generous hand. The capital stands 2.9 times the height of the letters after it. Almost nothing else here lays a line back underneath the name.

What Irene gives a designer

The capital I carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

After the capital, Irene runs entirely at x-height — no ascenders, no tails — so the whole middle of the mark is a single calm band, and the capital and the closing gesture do all the talking.

Irene is 5 letters: room for a real rhythm without the fatigue of a long run.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names