Signature ideas

Six signature directions for Martha

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital M · hover one to see it in use

Understated · flowing · fully readable

Upright and composed, it never looks rushed.

the full name

A compact and restrained hand. It stays 2.0 times wider than tall, where most signatures sprawl. It is also one of the few here that adds no closing gesture at all.

Confident · flowing · signature-legible

Written at speed, and it shows in the best way.

the full name · finished on a long sail

A spare and unbroken hand. Only 6 loops in the whole mark. It is the rare one that leaves on an exit stroke long enough to carry the eye off the page.

Commanding · sharp · signature-legible

The capital dominates, and the rest of the name follows quietly.

the full name · underlined in one return stroke

A long-running and theatrical hand. It runs 4.9 times wider than it is tall. The "r" in "Martha" is the letter carrying it, because that is where your hand is already fastest.

Confident · sharp · fully readable

Drawn in stages, the way a considered mark is.

the full name · underlined in one return stroke

A dense and rounded hand. The letters are packed close together.

Understated · sharp · signature-legible

Pressure where it presses, hairline where it lifts.

the full name · finished on a long sail

An airy and level hand. The letters are set well apart. It is the rare one that leaves on an exit stroke long enough to carry the eye off the page.

Commanding · flowing · fully readable

It turns corners instead of rounding them, and that is the whole temperament.

the full name · a swept capital · underlined in one return stroke

A long-running and grand hand. It runs 5.1 times wider than it is tall. Almost nothing else here runs a long swept approach into the M.

What Martha gives a designer

A signature is won or lost at its opening letter. For M, the studio draws from 2 constructions observed in professional hands, and every direction below chooses one and holds it.

What follows the capital decides the middle of the mark: the t and h reach into the ascender line, which gives the mark its upper silhouette.

6 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names