Signature ideas

Six signature directions for Peter

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital P

Understated · flowing · fully readable

The capital keeps its place, which puts the emphasis on the whole name.

a swept capital · underlined in one return stroke

An angular and measured hand. The turns are cut rather than curved. It is also one of the few here that lays a line back underneath the name.

Confident · flowing · signature-legible

Compact, with its weight gathered in one place.

a capital thrown inside a loop · finished on a long sail

An angular and airy hand. The turns are cut rather than curved. It is the rare one that throws a flat loop right around the P.

Commanding · sharp · signature-legible

Everything rounds, nothing is cornered.

finished on a long sail

A dense and urgent hand. The letters are packed close together.

Confident · sharp · fully readable

One letter does the performing, and the others hold still for it.

a swept capital · finished on a long sail

A quick and deliberate hand. The line carries the momentum of a hand that never slowed down.

Understated · sharp · signature-legible

Nothing curls that does not have to, and nothing is missing.

a swept capital · finished on a long sail

An unbroken and upright hand. Only 3 pen lifts in the whole thing.

Commanding · flowing · fully readable

Pressure where it presses, hairline where it lifts.

finished on a long sail

A measured and restrained hand. The pen keeps one pace instead of accelerating through.

What Peter gives a designer

A signature is won or lost at its opening letter. For P, the studio draws from 2 constructions observed in professional hands, and every direction below chooses one and holds it.

What follows the capital decides the middle of the mark: the t reaches into the ascender line, which gives the mark its upper silhouette.

5 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names