Signature ideas

Six signature directions for Peter

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital P · hover one to see it in use

Understated · flowing · fully readable

Tightly massed, so it holds together small.

the full name

A level and angular hand. The capital is only 1.7 times the height of the letters after it. It is also one of the few here that adds no closing gesture at all. The "r" in "Worth" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

Pressure where it presses, hairline where it lifts.

the full name · underlined in one return stroke

An unbroken and restrained hand. Only 7 pen lifts in the whole thing.

Commanding · sharp · signature-legible

One letter does the performing, and the others hold still for it.

both names in one unbroken line · closed with a small loop

An even and grand hand. It holds one weight almost the whole way through. Almost nothing else here runs both names together as one word.

Confident · sharp · fully readable

It leans into the page, the way a hand in a hurry does.

the full name · underlined in one return stroke

A deliberate and dramatic hand. It is built in 11 separate strokes.

Understated · sharp · signature-legible

Long and low, it takes the whole width of the line.

the full name · underlined in one return stroke

An urgent and airy hand. It leans 23 degrees off vertical.

Commanding · flowing · fully readable

Written at speed, and it shows in the best way.

the full name · finished on a long sail

A generous and deliberate hand. It spends 26 loops getting through your name. Almost nothing else here leaves on an exit stroke long enough to carry the eye off the page.

What Peter gives a designer

A signature is won or lost at its opening letter. For P, the studio draws from 2 constructions observed in professional hands, and every direction below chooses one and holds it.

What follows the capital decides the middle of the mark: the t reaches into the ascender line, which gives the mark its upper silhouette.

5 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names