Signature ideas

Six signature directions for Maya

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital M · hover one to see it in use

Understated · flowing · fully readable

Upright and composed, it never looks rushed.

the full name · finished on a long sail

An angular and spare hand. The turns are cut rather than curved. The "y" in "Maya" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

Written at speed, and it shows in the best way.

the full name · a swept capital · finished on a long sail

A dramatic and long-running hand. The stroke swells and thins by a factor of 2.6.

Commanding · sharp · signature-legible

The capital dominates, and the rest of the name follows quietly.

the full name · a swept capital · finished on a long sail

An even and unbroken hand. It holds one weight almost the whole way through.

Confident · sharp · fully readable

Generous with its loops, and unembarrassed about it.

the full name · closed with a small loop

A rounded and theatrical hand. Every turn is rounded off. It is also one of the few here that ties off with a small loop instead of flying away.

Understated · sharp · signature-legible

One letter does the performing, and the others hold still for it.

the full name

A dense and compact hand. The letters are packed close together. It is the rare one that hangs the name off the M as a stem.

Commanding · flowing · fully readable

Compact, with its weight gathered in one place.

the full name · a swept capital · closed with a small loop

An even and restrained hand. It holds one weight almost the whole way through. Almost nothing else here ties off with a small loop instead of flying away.

What Maya gives a designer

A signature is won or lost at its opening letter. For M, the studio draws from 2 constructions observed in professional hands, and every direction below chooses one and holds it.

What follows the capital decides the middle of the mark: the y drops below the baseline — a tail a designer can turn into an underline or let hang.

Four letters or fewer is the easiest length to keep consistent — Maya can be written in full on everything from a card to a contract.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names