Signature ideas

Six signature directions for Sandy

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital S · hover one to see it in use

Understated · flowing · fully readable

Compact, with its weight gathered in one place.

the full name · underlined in one return stroke

An airy and upright hand. The letters are set well apart. It is also one of the few here that lays a line back underneath the name.

Confident · flowing · signature-legible

One weight the whole way through, which is what makes it read as modern.

the full name · a swept capital · underlined in one return stroke

A measured and angular hand. The pen keeps one pace instead of accelerating through. It is the rare one that runs a long swept approach into the S. The "r" in "Worth" is the letter carrying it, because that is where your hand is already fastest.

Commanding · sharp · signature-legible

The capital dominates, and the rest of the name follows quietly.

the full name · finished on a long sail

A rounded and urgent hand. Every turn is rounded off. Almost nothing else here leaves on an exit stroke long enough to carry the eye off the page.

Confident · sharp · fully readable

One letter does the performing, and the others hold still for it.

the full name · closed with a small loop

A dramatic and deliberate hand. The stroke swells and thins by a factor of 3.5. It is also one of the few here that ties off with a small loop instead of flying away.

Understated · sharp · signature-legible

Generous with its loops, and unembarrassed about it.

the full name · finished on a long sail

A dense and unbroken hand. The letters are packed close together. It is the rare one that leaves on an exit stroke long enough to carry the eye off the page.

Commanding · flowing · fully readable

No letter shouts over another, which is rarer than it sounds.

the full name · a swept capital · closed with a small loop

An angular and deliberate hand. The turns are cut rather than curved. Almost nothing else here runs a long swept approach into the S.

What Sandy gives a designer

The capital S carries the mark. There are 2 distinct professional constructions of it on the studio's shelf, and which one a design commits to changes the whole gesture.

After that, the lowercase run does the work: the d reaches into the ascender line, which gives the mark its upper silhouette and the y drops below the baseline — a tail a designer can turn into an underline or let hang.

5 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names