Signature ideas

Six signature directions for Marvin

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital M · hover one to see it in use

Understated · flowing · fully readable

One weight the whole way through, which is what makes it read as modern.

the full name · underlined in one return stroke

A restrained and spare hand. No single letter is pushed past its neighbors. The "r" in "Marvin" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

Written at speed, and it shows in the best way.

the full name · closed with a small loop

An angular and restrained hand. The turns are cut rather than curved. It is the rare one that ties off with a small loop instead of flying away.

Commanding · sharp · signature-legible

The capital dominates, and the rest of the name follows quietly.

the full name · a swept capital · finished on a long sail

An unbroken and even hand. Only 6 pen lifts in the whole thing. Almost nothing else here runs a long swept approach into the M.

Confident · sharp · fully readable

Upright and composed, it never looks rushed.

the full name · underlined in one return stroke

A rounded and dense hand. Every turn is rounded off.

Understated · sharp · signature-legible

It gives itself room, and reads as unhurried because of it.

the full name · underlined in one return stroke

A long-running and theatrical hand. It runs 5.7 times wider than it is tall.

Commanding · flowing · fully readable

Generous with its loops, and unembarrassed about it.

the full name · a capital that drops below the line · finished on a long sail

A compact and dramatic hand. It stays 1.5 times wider than tall, where most signatures sprawl. Almost nothing else here drops the M's tail below the line to weigh it down.

What Marvin gives a designer

Everything starts with the M. The studio holds 2 distinct constructions of that capital — drawn from how professionals actually open a name — and each direction below commits to one of them.

What follows the capital decides the middle of the mark: the dotted i leaves a mark above the line that a fast hand turns into a flick.

6 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names