Signature ideas

Six signature directions for Elvis

Each one is a genuine drawing of the name — not a font — made by the same studio that draws the paid commission, with the design decisions stated under it.

Drawn from the name · 6 directions · capital E · hover one to see it in use

Understated · flowing · fully readable

Long and low, it takes the whole width of the line.

the full name · underlined in one return stroke

A measured and dense hand. The pen keeps one pace instead of accelerating through. It is also one of the few here that lays a line back underneath the name. The "r" in "Worth" is the letter carrying it, because that is where your hand is already fastest.

Confident · flowing · signature-legible

It leans into the page, the way a hand in a hurry does.

the full name · a capital on its own shelf · finished on a long sail

A compact and restrained hand. It stays 1.5 times wider than tall, where most signatures sprawl.

Commanding · sharp · signature-legible

One weight the whole way through, which is what makes it read as modern.

the full name · finished on a long sail

A grand and quick hand. The capital stands 2.7 times the height of the letters after it.

Confident · sharp · fully readable

Generous with its loops, and unembarrassed about it.

the full name · a capital on its own shelf · finished on a long sail

A dense and deliberate hand. The letters are packed close together.

Understated · sharp · signature-legible

One movement, barely interrupted, which is why it repeats.

the full name · underlined in one return stroke

A level and rounded hand. The capital is only 1.9 times the height of the letters after it. It is the rare one that lays a line back underneath the name.

Commanding · flowing · fully readable

Nothing curls that does not have to, and nothing is missing.

the full name · a capital on its own shelf · closed with a small loop

An upright and deliberate hand. It stands almost straight up, 22 degrees off vertical. Almost nothing else here ties off with a small loop instead of flying away.

What Elvis gives a designer

A signature is won or lost at its opening letter. For E, the studio draws from 2 constructions observed in professional hands, and every direction below chooses one and holds it.

The rest of the name sets the terrain: the l reaches into the ascender line, which gives the mark its upper silhouette and the dotted i leaves a mark above the line that a fast hand turns into a flick.

5 letters is the length most signatures are built on — enough travel for character, little enough to repeat exactly.

Making it yours

These studies are drawn on the first name alone, because that is how the question is usually asked — but a working signature is built on your full name: the second capital, the balance between the two words, and the short everyday version are where the real design decisions live.

The studio draws twenty directions for your full name in about a minute, and the kit — the files, the report that explains the design, and the stroke-order lesson — is what the three you choose become.

Other names